Billy Ze Kick Biography

1984-1988

1989

Nathalie decides to start writing and composing a repertoire that is more personal to her. She tries ephemeral collaborations under the name of 1989, then takes the name of Billy Ze Kick to describe the romantic character of Jean Vautrin. With his brother Bobby T. Bang and Benoît, who takes the nickname Mr. Bing (another character of Vautrin), they form a new group entitled B. Ze Kick and release a 45 rpm single on their house label Productions du Fer ( Timbres de Pop/The 25th Hour ).
A drummer, Colargol, quickly joined the band, which performed in Breton caf’conc’ and on a few rare occasions at festivals. Certain titles attract the attention of record companies: Paniac, Prom’nons nous, A vélo… Unreleased recordings from this period appear on the album Premiers Titres, released in 2004.

1990-1991

In 1990, the spontaneity and humour of De La Soul’s first album created a real trigger for Billy Ze Kick and Mr. Bing, especially since the album was badly shot down by the Inrockuptibles, who called the rappers ” crazy kids respecting nothing and looting the music bins. Billy Ze Kick makes this review the founding song of a new formation: it’s Le  1er s’annonce des Gamins en folie  (which will introduce the first album). Wanting to break with the classic formula of the group (drums – bass – guitar), Billy Ze Kick and Mr. Bing decide to limit themselves to a sampler as an instrument and call on their friends to form a joyful, libertarian and protesting choir.

The two groups perform constantly in concert, mainly in bars or alternative places. After the departure of Bobby and Colargol, new musicians arrive Julien on guitar and Pimkie Poo on drums. At the end of 91, Mr. Bing leaves the bass to Mad Doctor to take care of the concerts.

1992

Tired of the concerts in the bars, the group decides to stop the scene. Billy Ze Kick and Mr. Bing then embark on the production of a musical video, the ”   Killer’s Trip   ” (An adventurer -the killer- engages in a role-playing game that turns into a spiritual quest). With 6,000 francs and a lot of complicity, the band produced a medium-length film (27 mins) which will be shown on the big screen before concerts.

1993

Thirties arrive and the years of RMI begin to weigh, Billy Ze Kick and Mr Bing decide to put an end to the adventure and, as a memory, collect the 9 songs interpreted with the Kids in Madness and the soundtrack of the musical on an album entitled “Billy Ze Kick and the Mad Kids   “.

Rather proud of the finished product, Mr. Bing embarked on the distribution and promotion of the album. Thanks to the money lent by a friend, Kol Killer, hundreds of albums are sent to the media, and in alternative circles, a video is shot of Le Chant du psylo, and for months the band has been active in promoting wherever it can the CD.

From the summer the album reached first place in the ranking of French rock radio stations (Ferarock), during the summer of 93 Radio Nova tirelessly played OCB  and  Mangez-moi, and in December, the Transmusicales de Rennes programmed the group, which put his musical on stage for the first time. Once again, the D system and the complicity of many friends will pay off: the room (an old unused chapel, the Church of Old St. Etienne) will be sold out throughout the festival ( see photos ). Meanwhile, the disc, recently distributed by Media 7, is permanently out of stock.

1994

 

Still broke despite this early success, Billy Ze Kick and Mr. Bing decided to respond favourably to a licensing proposal from a new Polygram label called Shaman.

Mangez-moi

The song Mangez-moi, to everyone’s surprise, took 2nd place in the Top 50 and Top Dance (!!!) throughout the summer. The concerts become real freak happenings all over France. The media follow willy-nilly the phenomenon; some pretend not to understand the lyrics, others laugh; in short, it’s the promised Major Encraoudment (see the press review).

After a last memorable concert at the Olympia in December 1994, where the group finished naked as a last offering to its public, the formation separates. Nathalie wanted to make a solo album with new musicians and finally resume the titles of her debut. A part of Les Gamins en folie (Zébra, Joni Bob, and Arno Futur) created Les Raggamins and released their first album on the group’s label, Les Productions du Fer, which Mr. Bing is in charge of full-time (Les Raggamins, Skippies, Sloy, Tomorrow the Octopuses, The Garden Gnomes, etc.).

1996-1997

Billy Ze Kick dreamed of putting groove and live sound into his music. The group toured France. The media, scalded by the polemic of the first album, boycotted Paniac which missed its commercial exit, but whose original quality makes it continues to sell regularly even today.

1998-2003

After the semi-success of his solo album, Billy Ze Kick separates from the Shaman label. Tired of the Parisian urban life she has known for 2 years, she goes green near Rennes, finds her old friends, and creates a new circle of friends. With the help of Mr Bing for the music and Billy Billy for the texts, she wrote 12 new songs, satirical testimonies of her history, and above all, the news she experiences daily. Les Gamins en Folie quickly take their place behind the microphones.

But despite their past success, the record companies are still uninterested in this band of anti-conformists and protesters of French music. No problem; Billy Ze Kick and Mr Bing create a new label: Pudding (because the truth is in the pudding). They found a distributor, M10, and released their new album, “Verdure et Libido,” in January 2001.
With few resources to promote the album and support concerts, Verdure et libido took time to become known (15,000 sales ). This does not prevent the group from making a very noticeable return to the stage with more than a hundred concerts in France, Belgium, Switzerland and Quebec between 2001 and 2003.

2006-2010